![]() ![]() It does mean that your script will likely be harder to sell - and if you’re earlier in your career, focusing on a concept that makes your audience want to learn more is advisable.” “A low concept, character-driven script might get a low Concept score, but that doesn’t mean the script itself is poor. That said, potential reps are looking for material that can become profitable. If you’re an emerging writer, your goal might not be to market and sell the script but to secure representation. It’s important to keep in mind what you hope to achieve with your script. A Low Concept Rating Doesn’t Mean Your Script is Bad Maybe the stakes are too low, and it’s hard to care if the characters solve their conflict or not.” It’s not just about having a vision - it’s about executing that vision with compelling characters and plots. “Maybe the story currently plays it safe and we’ve seen the plot and characters too many times before. “Ask yourself what about the story and characters is unique and sets the script apart and how can you pull those elements out?” suggests our reader. If you feel that you have a strong concept then you must also ask yourself if you actually executed your concept in your screenplay. ![]() Ask yourself why you are telling your story and why that story would appeal to your audience. The story concept should be attention-grabbing and, down the line, marketable. ![]() “If a script gets a low Concept rating, then the idea of the story doesn’t elicit interest,” shared our reader. Audiences love to learn more about sensational people and events. IP and stories based on true events will almost always spark interest. The logline for The Dropout is “a TV series that chronicles Theranos founder and accused grifter Elizabeth Holmes’ attempt to revolutionize the healthcare industry after dropping out of college and starting a technology company.” When their father steps down from the company, the family begins to tear itself apart from within.”Īlready we know the stakes are high, we know that there will be endless family conflict, and the catalyst for the series makes us want to know what’s going to happen to the family. The logline for Succession is “the Roy family is known for controlling the biggest media and entertainment company in the world. It’s a fish-out-of-water idea that makes us wonder what will happen when that character is placed in such an uncharacteristic situation. The logline for Barry is “a hit man from the Midwest moves to Los Angeles and gets caught up in the city’s theatre arts scene.” Again, this story concept plays with our existing understanding of certain types of characters and subverts them. It’s simple, but it takes a well-worn and easily recognizable genre and turns it on its head in an original and attention-grabbing way. The logline for The Boys is “a group of vigilantes sets out to take down corrupt superheroes who abuse their superpowers.” This story concept asks the crystal clear “what if?” question of “what if superheroes weren’t the good guys?” It’s easy to describe and leaves room for the show to explore the mystery through multiple seasons. It’s a high-concept series with a premise that immediately invites us into a mystery, makes us want to know more, and connects to its audience with a universally relatable theme. When a mysterious colleague appears outside of work, it begins a journey to discover the truth about their jobs.” The logline for Severance is “Mark leads a team of office workers whose memories have been surgically divided between their work and personal lives. Need script coverage! Our professional readers can help!Įxisting Shows That Would Earn a ‘Virtually Perfect’ Story Concept Rating Severance We asked a professional script reader to give us an idea of what a good story concept looks like, so take a look at these examples from some of today’s top TV shows. At its core, a strong concept makes someone want to read your script based on the logline alone. ![]() For script coverage, this category is scored based on how compelling and interesting the idea for the story is. What’s a “concept” of a story? It’s what the story is about. Though it may not be one of the most common notes given by readers, let’s talk about story concept. For example, there are five main categories in WeScreenplay coverage: Character, Plot, Structure, Dialogue, and Concept Analysis. Script readers consider many different things when providing feedback. ![]()
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